It's Bobbie's thirty-fifth birthday party, and all her friends are wondering why she isn't married. Why can't she find the right man, settle down and start a family? A breakthrough on Broadway in 1970, Company is Stephen Sondheim and George Furth's legendary musical comedy about life, love and loneliness, featuring some of Sondheim's most iconic songs including 'Company', 'You Could Drive a Person Crazy', 'The Ladies Who Lunch', 'Side by Side' and 'Being Alive'. The acclaimed West End revival in 2018 was conceived and directed by award-winning director Marianne Elliott and produced by Elliott & Harper Productions. Reimagining the musical by switching the gender of several characters, including the protagonist Bobbie, played by Rosalie Craig, the production also starred Patti LuPone, Mel Giedroyc and Jonathan Bailey. It won the Peter Hepple Award for Best Musical at the 2018 Critics' Circle Theatre Awards. This edition features the complete revised book and lyrics for the production, colour production photographs, and an introduction by Sondheim's biographer David Benedict.

Sondheim's landmark musical about a reunion of showgirls, with a book by James Goldman. New York, 1971. There's a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs, and lie about themselves. Including such classic songs as 'Broadway Baby', 'I'm Still Here' and 'Losing My Mind', James Goldman and Stephen Sondheim's legendary musical was originally staged in New York in 1971, and received its British premiere in 1987. This edition was published alongside the major revival at the National Theatre, London, in 2017, directed by Dominic Cooke and starring Tracie Bennett, Janie Dee, Philip Quast and Imelda Staunton.

Inspired by Georges Seurat's pointillist masterpiece, Sunday Afternoon on the Island of La Grande Jatte, Stephen Sondheim and James Lapine's musical celebrates the art of creation and the creation of art. In the first half of the musical, set in 1884, the people - and the animals - in the painting come to life in a world where, for the artist George, art comes before love, before everything. In the second half, a century later, Seurat's great-grandson is wrestling with the same obsessions in present-day New York. Sunday in the Park with George was premiered on Broadway in May 1984, in a production directed by James Lapine. An earlier, incomplete version had been performed Off-Broadway at Playwrights Horizons in July 1983. The musical went on to win the 1985 Pulitzer Prize for Drama. The first London production opened at the National Theatre in March 1990. It won the 1991 Olivier Award for Best New Musical.

The gruesomely fascinating musical about the 'Demon Barber of Fleet Street', one of Sondheim's greatest hits. From the writing partnership behind A Little Night Music. Victim of a gross injustice that robbed him of his wife and child, Sweeney Todd sets about exacting a terrible revenge on society: slitting the throats of the customers who visit his barbershop. But things are getting complicated - a romance has developed with Mrs Lovett, the lady who runs the pie shop next door, and the disappearances are starting to cause concern. With the bodies piling up, Sweeney Todd hits upon a novel idea, and starts passing on his 'patrons' to his homely neighbour... Meat pie, anyone? Stephen Sondheim and Hugh Wheeler's musical Sweeney Todd opened on Broadway in 1979 and in the West End in 1980. It won the Tony Award for Best Musical and Olivier Award for Best New Musical. It has since had numerous revivals as well as a film adaptation.

"That joyous rarity, a work of sophisticated artistic ambition and deep political purpose that affords nonstop pleasure."--William A. Henry III, "Time"

Book by Hugh Wheeler Introduction by Christopher Bond "Mr. Sondheim fearlessly explores psychic caverns where civilized people are not dying to go ... A naked Sweeney Todd stands revealed as a musical of naked rage, chewing up everyone in its path as it spits out blood and tears." - Frank Rich, The New York Times * "A work of such scope and such daring that it dwarfs every other Broadway musical that even attempts to invite comparison." - Rex Reed, New York Daily News

Evoking a fraternity of political assassins and would-be assassins across a hundred years of our history, Sondheim and Weidman daringly examine success, failure and the questionable drive for power and celebrity in American society. "Dark, demented humor, as horrifying as it is hilarious."--Michael Kuchwara, "Associated Press"

In" Hat Box," Stephen Sondheim presents his complete collected lyrics from the acclaimed" Finishing the Hat" and" Look, I Made a Hat." This box set includes lyrics from Sondheim's most popular shows like" West Side Story, Sweeney Todd, Sunday in the Park with George, "and" Into the Woods, " richly annotated with anecdotes, pointed observations, and invaluable advice from one of the greatest songwriters of our time. This handsomely designed package is essential reading for any fan of the theater or this living legend's work.

Stephen Sondheim returns with the second volume of his collected lyrics, giving us another remarkable glimpse into
his life's work, and into his life.
As he did in the acclaimed and best-selling "Finishing the Hat" (one of "The New York Times "10 Best Books of 2010), Sondheim richly annotates his lyrics with personal and theater history, discussions of his collaborations, and exacting, charming dissections of his work--both the successes and the failures. Picking up where he left off in "Finishing the Hat, "he gives us all the lyrics, along with cutouts and early drafts, to the Pulitzer Prize-winning "Sunday in the Park with George, "as well as "Into the Woods, Assassins, " and "Passion." Here too is an in-depth look at "Wise Guys, "subsequently transformed into "Bounce, "and eventually into "Road Show." And we are treated to chapters on his work for television and film and his "orphan songs," culled from parodies and special occasions over the years.
Filled with behind-the-scenes photographs and illustrations from original manuscripts, and with the same elegant design as the earlier book, "Look, I Made a Hat" will be devoured by Sondheim's passionate fans today and for years to come.

Stephen Sondheim has won seven Tonys, an Academy Award, seven Grammys, a Pulitzer Prize and the Kennedy Center Honors. His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in "Finishing the Hat"--titled after perhaps his most autobiographical song, from "Sunday in the Park with George"--Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions.
Along with the lyrics for all of his musicals from 1954 to 1981--including "West Side Story, Company, Follies, A Little Night Music" and "Sweeney Todd"--Sondheim treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes--filled with history, pointed observations and intimate details--transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come.
Accompanying Sondheim's sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter's personal collection.
Penetrating and surprising, poignant, funny and sometimes provocative, "Finishing the Hat" is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart's "Act One" and Arthur Miller's "Timebends." It is also a book that will leave you humming the final bars of "Merrily We Roll Along, " while eagerly anticipating the next volume, which begins with the opening lines of "Sunday in the Park with George."

The musical tale of a domineering stage mother's inadvertent creation of a burlesque stripper, now available in paperback for the first time.

(Applause Libretto Library). This 1995 Pulitzer Prize-winning musical was inspired by the painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, the production has evolved into a meditation on art, emotional connection, and community. This publication contains the entire script of the musical. " Sunday is itself a modernist creation, perhaps the first truly modernist work of musical theatre that Broadway has produced ... a watershed event that demands nothing less than a retrospective, even revisionist, look at the development of the serious Broadway musical." Frank Rich, The New York Times Magazine

(Vocal Collection). The most comprehensive, multi-volume collection of Sondheim songs ever published. Each volume has a different contents list. The volumes include songs in original keys, and appropriate transpositions. Each volume includes an extensive introductory section, with plot synopses and comments from Sondheim about songs and shows.

(P/V/G Composer Collection). The first definitive collection of Sondheim's songs, with selections from Anyone Can Whistle, Assassins, Company, Dick Tracy, Evening Primrose, Follies, The Frogs, A Funny Thing Happened on the Way to the Forum, Into the Woods, A Little Night Music, Merrily We Roll Along, Pacific Overtures, Passion, Road Show, Saturday Night, Sunday in the Park with George, and Sweeney Todd. Includes detailed notes about the shows and films.

(Vocal Score). Into the Woods blends various familiar fairy tales with an original story of a childless baker and his wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a child. Newly edited. Complete vocal score including: Agony * Any Moment * Children Will Listen * Giants in the Sky * I Know Things Now * Into the Woods * It Takes Two * No More * No One Is Alone * On the Steps of the Palace * Stay with Me.

Collection of four films starring Johnny Depp. In 'The Astronaut's Wife' (1999), on a seemingly routine mission to repair a space satellite, astronaut Spencer Armacost (Depp) loses contact with Mission Control for a period of time. Once Spencer has returned to Earth his wife Jillian (Charlize Theron) falls pregnant with twin boys, but her joy is tempered by the suspicion that something terrible happened to her husband in space - something which could threaten the entire human race. In 'Dark Shadows' (2012), when playboy Barnabas Collins (Depp) breaks the heart of the beautiful Angelique Brouchard (Eva Green), an old family curse is released as Angelique, a witch, turns Barnabas into a vampire before burying him alive. Two centuries later, Barnabas is inadvertently freed and emerges into the very changed world of 1972. Returning to his former home at Collinwood Manor, he finds his estate in ruins and the dysfunctional dregs of his family in tatters. Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer) has enlisted the services of live-in psychiatrist Dr Julia Hoffman (Helena Bonham Carter) to help with her numerous family problems - but between Elizabeth's loser brother, Roger Collins (Jonny Lee Miller), her rebellious teenage daughter, Carolyn Stoddard (Chloë Moretz), and Roger's precocious 10-year-old son, David Collins (Gulliver McGrath), Dr Hoffman has certainly got her work cut out. 'Sweeney Todd - The Demon Barber of Fleet Street' (2007), Tim Burton's film version of the Stephen Sondheim musical, is based on a 'penny dreadful' tale (which later became an urban myth) from the mid-19th Century. The story centres around Benjamin Barker (Depp), a barber who returns to London after spending years in exile for a crime he didn't commit. He soon discovers from pie-maker Mrs Lovett (Bonham Carter) that, in his absence, his wife has taken her own life and his daughter is now in the care of the man who had him sent away - the dastardly Judge Turpin (Alan Rickman). Seeking revenge and filled with a murderous rage, Barker sets up a barber's shop above Mrs Lovett's premises. Now calling himself Sweeney Todd, Barker kills off all his customers with a razor to the throat and sends their cadavers to the shop below to be used as a tasty new filling for Mrs Lovett's meat pies. What was once the worst pie shop in London quickly becomes one of the city's most popular eateries, but Barker won't be satisfied until he can lure Judge Turpin into the barber's chair... In 'Don Juan DeMarco' (1994) Marlon Brando plays a psychiatrist whose last case, that of Don Juan (Depp), is his most difficult. Don Juan is the world's greatest lover, having seduced over 1000 women, and his amorous tales totally captivate the analyst, re-awakening passions which he thought had been lost forever.

Longtime musical theatre collaborators Stephen Sondheim and George Furth, who together created the landmark musical Company, have joined forces again to create a compellingly original thriller - Mr. Sondheim's first nonmusical play. Getting Away with Murder unfolds on a stormy night on Manhattan's Upper West Side at a group therapy session. The patients arrive only to find that their faithful, Pulitzer Prize-winning psychiatrist is missing. What unfolds is a classic whodunit in the tradition of Sleuth and The Mousetrap that harkens back to Sondheim's screenplay collaboration with Anthony Perkins on the cult film The Last of Sheila.

The Mystery Fancier, Volume 5 Number 1, January/February 1981, contains: "Spy Series Characters in Hardback, Part VI," by Barry Van Tilburg, "Hunter and Hunted," by Jane S. Bakerman, "The Body in the Library," by Martin Morse Wooster, and "Blame Stephen Sondheim," by E. F. Bleiler.

"Throwing caution to the winds, I assert that A Little Night Music comes as close as possible to being the perfect romantic comedy musical." -Brendan Gill, The New Yorker "Heady, civilized, sophisticated and enchanting. Good God! An adult musical." -Clive Barnes, The New York Times

Legendary American composer and lyricist Stephen Sondheim has won eight Tonys, eight Grammys, six Olivier Awards, an Academy Award and a Pulitzer Prize. His brilliant songs and lyrics of genius have entertained us for more than half a century and his Broadway shows revolutionized musical theatre. Working together with Sondheim, editor Peter Gethers has selected for this volume lyrics from across Sondheim's career, drawn from shows including West Side Story, Gypsy, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods. The result is a delightful pocket-sized treasury of the best of Sondheim

A breakthrough Broadway musical in 1970, Company remains fresh, acerbic and original today. The musical's themes - marriage and commitment, friendship and loneliness - and its innovations in form mark it as a landmark of modern American musical theatre. Company's 25th anniversary was commemorated by two major revivals: in New York, at the Roundabout Theatre Company and in London at the Donmar Warehouse. This edition incorporates all revisions and additions made for these productions.